La revancha telenovela capitulo 31 how to#
Parte 1~~ with apologies to Robert Burns.Īt El Rancho, Dora turns the tables in this Mexican standoff as El Arizona doesn't figure the liddle lady 'll know how to shoot ner have the stomach for cold blooded murder. Alejandro lets Luis know he mostly helped him because of Leonora. Alejandro asks if everything was resolved regarding his job. Did they ever try other forms of therapy for him? Alejandro receives a phone call and Leonora gets someone at the door. He hands her his phone to show proof (was he with Jose Carlos?) She asks about his brother. Leonora tells Alejandro she’s never met anyone who’s been on top of an elephant.
When she lowers the nightgown strap Catalina pulls the sleeve of her cover back and ends the session. It seems she asks him how he’s feeling about his father’s death, and he says well. He’s only there now because of his mother. He informs her he also has his own apartment and that he really doesn’t always live with his family. How about a round of virtual applause, and may this contributor not stay Anonymous too long.Īlejandro visits Leonora’s humble home that evening. Whoever it might be, we thank AnonFri for stepping up. They get the word that Los Garza are on the way.Īn Anonymous contributor has graciously provided the Thursday recap. Los Pacheco are feasting after the bloodbath they've just finished. He calls Tacho and gives him the news.īack at the ranch, Old Tati brings Dora a trago of tequila and secretly cuts the ties around her writsts. The vagrant, aka, bum who sits by the building day after day takes mental notes and Guajo must give Mig the details. Mig walks outside on his way to his private plane they're flying to CD Jimenez.
After Mig walks away Ade answers her that there's been killing and it isn't about to stop soon. (Viewerville ponders the possibilities.)Īde wants to help somehow but Mig finally puts his foot down.
Leave him go." Peligros growls to Guajo that he may have escaped this but he's still going to be bait. Mig nixes Peligros and pistola since Guajo is the only one who's been inside since the takeover and knows the layout. I am sorry, Patrón." "-Do my business partners know?" Nope. Now that's something Miguel can relate to, considering his little chat-spat with Adela earlier.) "-They killed the men. Guajolote is the traitorous dog of a messenger who Peligros wants to kill. Finances)?" They ordered me to kill him, he tells Mig and Peligros. She tells him “This is what you’re doing to me: I’m pregnant.” This was her fourth test already. Leonora lays out the pregnancy test before him. He tells her he wants her to understand him, in the time that he’s been gone he’s thought over somethings and was able to resolve many doubts and realize what he’s doing with her. He said it went well, but that he needs to talk to her and doesn’t know where to begin. Leonora first asks him how his trip to Buenos Aires went. (The murder he was framed for?) Catalina immediately calls Diego. Catalina maintains her composure despite being a bit nervous.īefore leaving Catalina alone, Jose Carlos mentions that someone will be interrogated and she likely won’t pass and will end up saying that she was hired. Jose Carlos starts to humor Catalina on what she will tell the press about the cancelled wedding. Andrew Brown, associate professor of Spanish, Washington University in St.What follows is AnonFri's recap for this episode.Īlejandro has still not appeared. Her focus on the cinematic articulations of Argentine masculinity helps illuminate not only the films that she discusses, but the way the country has grappled with shifting gender definitions in the wake of dictatorship and in the midst of neoliberalism.' - J. 'Rocha's book is an original and insightful examination of Argentine cinema and a needed addition to both film and cultural criticism of Argentina. The result is some excellent interpretive writing grounded in a detailed familiarity with the critical opinion each film has generated to date and, more importantly, the pertinent theoretical dimensions of masculinity studies that most advantageously legitimates her interpretations.' - David William Foster, Regents' Professor of Spanish and Women and Gender Studies, Arizona State University Her choice of two key films per chapter allows her to focus in detail on an array of aspects of the film beyond plot or theme and to look at how each film constructs complex meanings. Rocha is an excellent scholar of Argentine culture and I am impressed with her grasp of contemporary filmmaking. 'This study is timely not only because of the interlocking justifications for pursuing an emphasis on issues of masculinity but also because of the easy availability of these films, which demonstrates their commercial viability and interest film courses.